Julian Rees - INDEX of 'Craft in Spirit' Column |
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I hope my readers will indulge me, if I give them a rather banal example
of unity. It was an image, this spring, of about ten or twelve very small
ducklings, who had been temporarily separated from their mother, and were
wandering about fairly aimlessly, and at no small risk to themselves, near a
busy road. Three things particularly caught my attention about this scene: the
apparent lack of fear, the complete harmony of movement between the members of
the group, and the fact that they maintained close physical contact at all
times. An expert choreographer could not have devised a more intricate and
coherent routine.
The phrase that immediately sprang to mind was ‘safety in numbers’.
As long as they stuck together, although one or the other individual might have
been at risk, particularly the ones at the edge of the group, the safety of the
group as a whole was sure. As human beings we see instances of such mutuality in
many aspects of daily life. The very basis of society is that humankind acts in
concert, adopting strategies and postures that defend the well-being of the
whole, sometimes sacrificing the interests of the individual in order to do so.
And it is in our genetic make-up, whether as human beings or as ducklings, that
survival is best assured by mutuality. We employ egotistical strategies or fight
amongst ourselves at our peril.
My readers will probably think I am stretching it a bit to expect to find
explicit references to this in Masonic ritual, but sure enough, there are some.
One in particular springs to mind: it comes from the fourth section of the
second Emulation lecture, concerning the five noble orders of architecture. This
section of the lecture gives us more detailed information on the five orders of
architecture and the seven liberal arts and sciences than any other part of the
ritual.
I am going to ask you to indulge me a little further while I digress. I
often think it a pity that our Masonic forebears in England did not think to
include, in the second degree tracing board, pictorial instruction in the five
noble orders of architecture and the seven liberal arts and sciences. They chose
instead to insert details of a battle between Ephraimites and Gileadites that
has nothing whatsoever to do with Freemasonry as far as I can see. The five
noble orders and the seven liberal arts and sciences are dismissed with a curt
reference to five steps and seven steps – not much use, you may think.
So to complete our education in the second degree, let us take a closer
look at this section of the lecture:
In the history of man, there is
nothing more remarkable than that Masonry
and civilisation, like twin sisters, have gone hand in hand. The orders
of
architecture mark their growth and progress. Dark, dreary and comfortless
were those days when Masonry had not laid her line or extended her
compass.
The race of mankind, in full possession of wild and savage liberty,
mutually
afraid of, and offending each other, hid themselves in thickets of the
wood or
in dens and caverns of the earth … the Grand Geometrician of the
Universe,
pitying their forlorn situation, instructed them to build houses for
their ease,
defence and comfort …
The lesson here of course is that acting on our own is not only of
limited value, but can even lead to conflict between ourselves and our
neighbours. The lecture then goes on to tell us about improvements to the
round-form habitations and the development of square and even rectangular
buildings:
Horizontal beams were then placed
on the upright trunks, which, being
strongly joined at the angles, kept the sides firm and likewise served to
support
the covering or roof, composed of joists … Yet, rough and inelegant as
these
buildings were, they had this salutary effect; that by aggregating
mankind
together they led the way to new improvements in art and civilisation;
for the
hardest bodies will polish by collision, the roughest manners by
communion
and intercourse.
I urge any of my readers who have not read the description and definition
of the five orders which follow to get hold of a copy of The Lectures of the Three Degrees in Craft Masonry published by
Lewis Masonic. It is well worth the small price. But the point of the quotation
above is to demonstrate that those who devised our present-day rituals some
three hundred years ago, wished us to recognise the indispensable nature of
mutuality, and the benefits that flow from working together as a society, but
also working together in Freemasonry.
Working together is sometimes a matter of life and death. In the novel Enduring
Love by Ian McEwen, a group of men are trying to hold down a hot-air balloon
to stop it sailing away with a small child on board. Although there are many
lines for the helpers to hold on to, the balloon has lifted from the ground, by
a metre or two, enough to make those holding on lose their footing, so that the
balloon and the helpers are floating just above the ground. As long as all the
men hold on, there is a good chance of rescuing the balloon; if only one lets
go, there will be a loss of stability making it difficult to anchor it. In the
event, there are not enough men to hold on, and one by one, as the balloon
rises, they all let go for fear of being carried so high as to endanger their
lives. Only one man holds on until, too exhausted to hold on any longer, he
falls to his death.
The principle has been very elegantly given form by Laurence Dermott, the
first Grand Secretary of the Antients Grand Lodge in England, in his seminal
piece Ahiman Rezon – a Help to a Brother
:
For human society cannot subsist without concord, and the maintenance of
good offices; for, like the working of an arch of stone, it would fall to
the
ground provided one piece did not properly support another.
The
integrity of such an arch is often said to depend on the keystone, but in fact
its integrity depends on every stone, the smallest and the newest,
together with the largest and the most important.
It is of course in this respect like a chain, whose efficacy depends on every
constituent link, and not only those links perceived as the strongest or most
important. But the point is well
made: each and every Brother is important, is needed in the effort to build the
temple to humanity that we are all engaged in. But the moral of the balloon
story is clear: work together for the survival of the group, or risk endangering
not only yourself, but all those around you.
I keep asking myself: is there not a lesson here for Freemasonry
globally? Nobody is asking that all the diverse Masonic practices around the
world should act in uniformity. God forbid. The broad and kaleidoscopic variety
in the ritual and in the message is one of the most enriching elements of our
Craft. We do not want the sort of uniformity that dictates, that preaches dogma.
We have no desire to march along to the same tune, or even to wear the same
uniform. But we do have the right to expect that the disparate Masonic systems
around the world, whatever they view as the Great Lights, whether or not they
operate a single-gender Freemasonry, whether or not they have a Volume of the
Sacred Law/Lore open in their Lodges, we do have the right to expect them to
talk to each other, and to cement in unity and Masonic brotherly love those
features of our Craft which they all hold dear. There is no temple to humanity
based on The International Order of Co-Freemasonry Le Droit Humain, or the
United Grand Lodge of England, or the Grand Orient de France; there is one
temple to humanity based on all these systems, and on many more systems besides.
But working together in concert, maintaining cast-iron unity in order to
further the construction of the temple: does that mean suppressing our own
individuality? God forbid. I have learned more in Freemasonry by listening to
those with unconventional views than I have by following well-trodden paths. No,
the whole process of initiation is about validating our own personal
characteristics. Let me quote from W. Kirk MacNulty’s The Way of the Craftsman:
The Entered Apprentice Freemason is
represented in the Craft’s symbolism as
a rough ashlar. In the complete symbol, the body of humanity is
represented
as a quarry from which stone is to be cut to construct a temple to Deity.
Ultimately, all the rock in the quarry is to be incorporated in the
building.
While the rock remains in the quarry, it is part of the mass and it
experiences
what the mass experiences. The candidate in the Entered Apprentice degree
is
about to separate himself out, and to undertake to live his life as an
individual,
to be a separate stone. It is a step which only he can take; and he can
take it
only for himself. When he has done it, when he has recognised himself to
be an
individual, as the rough ashlar cut from the mountain which will never be
part
of the bedrock again, the Entered Apprentice can never go back. To put it
another way, when one has had an insight into his nature, when he has a
glimpse of the fact that he really is, inside, at the core of his being
the ‘Image
of God’, he can never unknow it. When a person knows what he is, and
acknowledges it, he is responsible for himself from that time forward. He
will
be an individual, with individual responsibility for the rest of his
life.
It sounds to me like ‘E Pluribus Unum’, one out of many, or we might
say diversity in unity, the ultimate goal being, in the words of Hermes
Trismegistus, ‘to achieve the wonders of the One’.
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