| Every Masonic researcher must have 
encountered illustrations of masons' marks at some time in his career. These 
illustrations abound in early volumes of Ars Quatuor Coronatorum and the
Transactions of several other lodges of research, and in certain 
non-Masonic publications as early as 1843. Unfortunately, much of the published 
material reveals a lack of scientific method in observation and recording of 
data, and there is no definitive study of the subject as a whole. Worse — some 
authors attempt to link masons' marks with occult religion, numerology, alchemy, 
the genesis of alphabets and other imaginative theories which blithely ignore 
sites and ages that do not fit their needs.   
|  ANZMRC publishes a quarterly newsletter, Harashim (Hebrew for Craftsmen), which is circulated worldwide in PDF format by email.
 Subscribe Harashim. |  Bro Robert Gould's History of 
Freemasonry provides a sound beginning to the study of the subject but, as a 
summary of what has been published elsewhere, it necessarily reflects the 
limitations of its sources. It is interesting, however, to compare Bro Gould's 
essay in the first edition (vol 1, ch 9) with Bro Herbert Poole's revision in 
the third edition (vol 1, ch 7), revealing the advance in knowledge in the 
intervening period and contrasting the attitudes of these two great researchers. Masons' marks have been found throughout 
the northern hemisphere, and range over a timespan of nearly 5000 years.   It is very remarkable indeed that these 
marks are to be found in all countries — in the passages of the pyramids; on the 
underground walls of Jerusalem; in Herculaneum and Pompeii; on Roman walls and 
Grecian temples; in Hindustan, Mexico, Peru, Asia Minor, — as well as on the 
great ruins of England, France, Germany, Scotland, Spain, Italy and Portugal.[1]   Since we in Australia lack the 
opportunity to examine the original marks on ancient stones (apart from those 
made by our aboriginal inhabitants), we are obliged to limit our studies to the 
secondary sources available to us. Within this limitation, this paper will 
briefly consider marks found throughout the northern hemisphere on structures 
erected over a period of 5000 years. It will refer to a selection of sites, for 
the most part in chronological sequence, illustrating some of the marks and 
noting (where such information is available) their position on the stones and 
the frequency of their use. From the data thus recorded, this paper will 
consider the functions of these marks. Because of the limitation of time, only 
passing reference will be made to the symbolism of some marks, and the 
speculative degrees that make use of masons' marks.     Egypt   Brother Hayter Lewis, in his paper 
‘Masonry and Masons’ Marks’,[2] 
says:   The earliest marks now known to exist 
are those found by Col. Vyse in the Chambers of the Great Pyramid at Gizeh. I 
quite acquiesce in the opinion of the late Dr. Birch that these are not strictly
Masons' but quarry marks. But some of them require especial notice 
inasmuch as they continue in use, as Masons' Marks, through all the centuries 
down to mediaeval times — and many even to the present.   He goes on to refer to one of these 
marks as ‘the Greek P’, but does not illustrate it; we are left in some doubt 
whether he is refering to pi or rho. Commenting on this paper, Bro 
William Simpson states that these marks were not incised, but were made with red 
paint.[3]   Professor Flinders Petrie (a grandson of 
Matthew Flinders) records a number of incised marks of the 12th dynasty (c 
2500 bc),[4] 
including the following:  
 
   
 
 Jerusalem   One of the most interesting sites for 
us, as speculatives, is that of the Haram area of Jerusalem. This includes the 
site of the Temple, virtually closed to excavation for religious reasons. In the 
1860s three young officers of the British army, Charles Wilson, Charles Warren 
and C R Conder, were seconded successively to the Palestine Exploration Fund. 
Wilson is later referred to as Colonel Sir Charles Wilson, and Conder as Colonel 
Conder. Warren was already a Mason at the time of his secondment, and was to 
become Major General Sir Charles Warren, 
gcmg, kcb, the foundation Master of Quatuor Coronati Lodge, and 
Commissioner of Police for the Metropolis at the time of the Jack the Ripper 
murders.   Josephus, writing in the first century
ad, gave a description of the 
great height of the walls of Jerusalem, which appeared to 19th century 
archaeologists to be a gross exaggeration. Bro Warren reasoned that the repeated 
destruction of the city would have caused the valley to fill. He decided to 
excavate on the outer side of the wall surrounding the Haram as Sharif, or Noble 
Sanctuary. He sank a shaft at the southeast corner, where the wall rose 77 feet 
6 inches above ground level. He discovered the foundations 80 feet below, on 
bedrock: a tall wall indeed.   Some massive and uneven stones were used 
in the construction of this wall. Barclay's Gate, on the western side, near the 
Wailing Wall, boasts a lintel from 20 to 24 feet long and 6 feet 10 inches wide. 
On the south wall is a stone estimated to weigh 100 tons.[5] 
Bro Warren found a broken stone that had spanned Robinson's Arch, 42 feet wide, 
on the western side of the Haram Wall, near the southwest corner.[6]   At the excavation at the southeast 
corner there were mostly smaller, hewn stones, and the base of the wall rested 
on rock cut to receive the foundation stones. Here were Masons' marks. Some were 
incised, about 3/8ths of an inch deep, and others were painted red — like the 
marks in the chambers of the Great Pyramid. There were splashes of the same 
colour paint on the bedrock.[7] 
As historical researchers, we would be unwise to read too much into this 
particular link across the miles and the millenia.   These marks were viewed by two notable 
visitors, Dr Emanuel Deutsch and Bro William Simpson (who became the third 
Master of Quatuor Coronati Lodge). Later, the excavations were filled in, 
presumably because of danger to locals and tourists, and Bro Prof T Hayter Lewis 
(7th Master of QC) was unable to view these marks when he visited Jerusalem.   The painted marks were on the second and 
fifth courses of stones, and consisted mostly of curved characters resembling 
e, j, Q and u, but also with marks similar to T,
X and Y. Curiously, one stone of the fifth course and one of the 
second had at least 7 marks each. The incised marks were angular but not 
clean-cut, mainly crosses and squared U-shapes. They are illustrated in (1889)
AQC II at page 125. Dr Deutsch declared the marks to be Phoenician 
letters and numbers.[8] 
C R Conder considered them ancient Hebrew characters, in use up to the time of 
Herod.[9] 
Prof R A S Macalister conceded that some of the marks resembled 
Phoenician or Old Hebrew characters, but suggested that they were ‘probably mere 
graffiti with no special significance’.[10] 
Bro J F Finlayson went further and argued that they were totally unlike 
Phoenician script.[11]   Identification of the marks is important 
in determining the age of the lower courses of the Haram Wall. Bro Warren, 
following Deutsch, placed it in King Solomon's reign, probably constructed by 
the same craftsmen who built the Temple. Brothers Gould and Lewis tended to 
concur, but Bro Simpson was more cautious. Wilson took the view that the 
foundation stones were second-hand, brought from elsewhere, and placed in their 
present position in Nehemiah's time (c 457 
bc), while Conder ascribed the construction to Herod the Great (c 
20 bc).   As Bro Simpson remarked:[12]   No one supposes that they are later than 
Herod's time, and that gives a very respectable antiquity to these masons' 
marks.  
 Bro Warren also recorded masons' marks in Lebanon and Syria,[13] but without indication of date of origin. Among those at Baalbek were: 
  and at Damascus:
 
 
 
 
   The many marks on castle walls at the 
ancient Phoenician port of Sidon included:  
 
  
 
 Further East   Generally, the snippets of information 
available about marks observed in the East do not include date of origin. Those 
referred to hereafter in this paper are clearly less than 2000 years old.   Bro Harry Rylands (6th Master of QC) 
provides information supplied by W F Ainsworth[14] 
on marks in the ruined palace at Al-Hadhr (ancient Hatra) in Iraq. Ainsworth 
observed a single mark in the centre of the exposed face of each stone, 
generally one or two inches in size. He remarked:    Every stone, not only in the chief 
building, but in the walls and bastions and other public monuments, when not 
defaced by time, is marked with a character, which is for the most part either a 
Chaldaic (Khaldi) letter or numeral.   He noted several instances of a 
character similar to the Roman A and frequent use of the ‘ancient mirror 
and handle’ — a circle above an inverse T. Among the signs he and Esau 
Rassam recorded were 
 
  
 
 Bro Gould illustrates four marks 
observed by Selah Merrill[15] 
at ‘the Mosque and Reservoir at Bozrah’ — presumably Al-Basrah, in Iraq. Each of 
these marks was restricted to a single wall, but appeared on many of the stones 
on that wall. Many stones, however, had no mark.   In the discussion of Bro Lewis' paper, 
Bro Simpson remarked[16] 
that in northern Persia (Iran):   … sun-dried bricks, or mud, was the 
building material, and in important structures the walls were covered with 
coloured tiles. All that remains of a deserted city in that region are mounds, 
and Masons' Marks are out of the question. Bro Purdon Clarke should be able to 
tell us if such marks are to be found any where in Persia.   Bro Sir Caspar Purdon Clarke (13th 
Master of QC) responded:[17]   … I only noted two extensive series of 
markings, one at Besitoon, … the other at Ispahan … At Besitoon the marks 
occurred on a single course of Ashlar facing of the plinth of the brick built 
Caravanserai of Shah Abbas. The stones were about 18 inches high by 2 feet long, 
and were most probably not more than 5 inches thick. Each bore a mark about 2 
inches high right in the centre and strongly cut in … At Ispahan the marks were 
also very numerous, they occurred on almost every stone of the paving of a large 
court yard in the old Palace.   Bro Clarke dated both buildings as early 
16th century. He noted that several of the 10 or 12 varieties of mark at 
Besitoon appeared ‘distinctly European’, whereas none of the 30 or so varieties 
at Ispahan bore such a resemblance. Bro Clarke's observations and enquiries 
indicated that at both places the stones had been recently turned, the inference 
being that the marks had not been on an exposed face, originally.   Bro H J Whymper reported a number of 
marks on 16th century buildings in Jaunpore (Jaunpur, northern India),[18] 
including: 
 
  
 
 Two contributors to AQC have 
supplied marks from Agra, also in northern India: Bro John Yarker and (Brother ? 
Sister ?) H G M Murray-Aynsley. Bro Yarker submitted copies of masons' marks 
obtained from the Taj Mahal by Bro Lawrence-Archer, including: 
 
  
 
 
 Mrs Harriet Murray-Aynsley, who bore the 
unique distinction of being the only associate member of Quatuor Coronati Lodge,
[19] 
contributed papers on symbols such as the Tau and the Swastika. On the platform 
of the Taj she located (fig.62) a more elaborate version of the 'squared' 
swastika of figure 52 (above).   She also noted masons' marks at the Ram 
Bagh in Agra, 
[20] 
including fig. 63-66.   Finally, Bro Yarker presented marks 
found on ruined Hindu temples, and among them were the following fig. 67-71   Rome and Pompeii   Under the general heading ‘Rome’, the 
Encyclopedia Britannica has an informative entry on masons' marks:   A very curious series of masons' marks 
exists on buildings of the regal period, especially on the stones of the agger 
wall and those of the small cellae on the Palatine near the Scaelae Caci. They 
are deeply incised, usually on the ends of the blocks, and average from 10 to 14 
inches in length; some are single letters or monograms; others are numbers; and 
some are doubtful signs …   The regal period was 753-509
bc. All the marks included in the
Britannica are reproduced herewith:       Marks found at Pompeii by Bro Simpson,[21] 
include:         Medieval and modern Europe   Examples of masons' marks in Europe 
since Roman times are generally dated from late 12th century onwards.[22] 
Academic interest in these marks seems to have commenced with the publication of 
papers in England by George Godwin frs, 
fsa in 1841, V Didron in France in 1845, and by Patrick Chalmers
fsa in relation to Scotland in 
1852.[23] 
These and subsequent articles, some containing hundreds or even thousands of 
marks, were published in the transactions of local or national societies of 
architects, antiquaries and archaeologists. To locate and collate all of them 
(or even those published in a single country) would be a mammoth task for a 
European researcher, and an impossible one for those of us resident in the 
antipodes.   Articles and collections of masons' 
marks began to be published in Masonic periodicals from 1851 and subsequently 
(as already noted) in Ars Quatuor Coronatorum and the Transactions 
of other lodges of research. Most of these are deficient in essential details, 
and many provide only a small selection of the marks observed. Bro Gould (and, 
later, Bro Bernard Jones[24]), 
covering the whole subject of Freemasonry, was necessarily restricted to a small 
sample in his summary of the subject of masons' marks. Other historians and 
encyclopedists offer even smaller samples, or none.   The student outside Europe, therefore, 
has access to only a minute proportion of secondary sources, the selection of 
which has been made by a number of people (sometimes from primary and sometimes 
from secondary sources), based either on unspecified criteria or in support of a 
particular theory.   As if this were not difficult enough, 
there is the further complication that in the 18th and 19th centuries 
speculative degrees and Orders developed which adopted the registration and use 
of masons' marks. From the 16th century, and perhaps earlier, Scottish operative 
masons were allocated a mark, recorded in the lodge register. Those lodges which 
admitted non-operative masons extended the practice to them. When English-style 
speculative Masonry became popular in the 18th century, various ‘Mark’ degrees 
were developed, including: Mark Mason, Mark Fellow Mason, Mark Master; Ark, Mark 
and Link; Link and Chain; Black Mark; Knight of the Christian Mark; Fugitive 
Mark; Travelling Mark; Cain's Mark; Mark Man and Old Mark.[25]   The modern Mark degree, whether part of 
the Royal Arch (Ireland, Scotland) or of the Craft (Scotland) or as a concordant 
body (England), registers a mark to each member. In South Australia it usually 
takes the form of a monogram of the candidate's initials. Such monograms would 
seldom appear on stone and, in any event, would generally be distinguishable 
from operative masons' marks. However, there remains the possibility of 
confusion of operative and non-operative sources on stones worked in the 18th 
and 19th centuries.   Clearly, the present paper cannot 
illustrate all of the relatively small number of marks (i e, thousands, 
rather than hundreds of thousands) available to Australian researchers. It would 
be advisable, then, to outline the types of data to be sought, and the grounds 
for selection of illustrative marks.   The ideal report would indicate the age 
and type of building, whether standing, undergoing renovations or in ruins; the 
position of the mark on the face of the stone, and whether on an exposed or 
(originally) concealed face; the type of mark and the frequency of use of that 
mark on the site; the number of marks on a single stone; the proportion of 
stones marked, and the significance of marked stones (cornerstone, keystone, 
etc).   Such information could reveal the 
original purpose of the marks in a particular area during a specified period, 
such as a signature (for quality control, payment of piece-work, or simply the 
pride of the master craftsman), as instructions for placing the stone in the 
intended structure, or for a religious or esoteric purpose. The information 
might also indicate the movement of individual masons or groups, the spread of 
building knowledge or style, or previously undiscovered links between operative 
and speculative masonry.   The English, French, German, Irish and 
Scottish marks which follow have been selected for their relevance to one or 
more of the points in the previous paragraph, or to illustrate how widely the 
mark was used, whether for one of the above purposes or as a symbol.   It should be borne in mind that where 
marks of similar design are illustrated, and one is rotated 90 or 180 degrees in 
respect to the other, they may in fact be identical. For example:        One further point, before we examine 
European marks: the cross may take many forms, some of which predate 
Christianity. English heraldry recognises 285 varieties.[26] 
Among the following 14 variations are those which appear as marks in this paper:         England and Wales   The earliest certain date for masons' 
marks in England is 1119, when a particular part of Norwich Cathedral[27] 
was constructed. Some very elaborate marks were found on the arches there, which 
suggests that even then a large number of masons had individual marks. 
   
  
 
 
 Some of the simpler marks, which also appear on other sites, are fig. 110-113:
 Stones removed from the east end 
		of the choir of Manchester Collegiate Church, erected in mid-15th 
		century, bore masons' marks, but Bro A Abrahams of Adelaide, who copied 
		them (fig.114-118), did not indicate on which face they appeared.[28] At Corbridge-on-Tyne the 
		following marks were observed ( fig.119-122) by Bro J Witter on a bridge built in 1674:[29] 
		Of those signs, the triangle appeared most frequently. 
 
 He then examined a bridge at 
		Chollerford, dated 1745, where he found numerous examples of 5 marks 
		(here illustrated in order of frequency)- Fig. 123-127:   
 
 
 
 Two brethren reported marks on buildings 
under construction, at Truro in 1886[30] 
and Newcastle in 1891.[31] 
The clerk of works at Truro Cathedral recorded the marks of the masons under his 
supervision. The stones were marked on the lower face, and thus the marks were 
concealed when the stones were laid. They included:         See notes:
[32]
[33]
[34]
[35]
[36]
[37]   
 Lancashire and Cheshire   Bro Harry Rylands made a special study 
of masons' marks in Lancashire and Cheshire, and presented a paper to the 
historical society of those counties. Subsequently, the plates from that paper 
were published in AQC.[38] 
They contain about 1140 marks, collected by several observers, some of whom 
noted the location and frequency of the marks and the age of the buildings. From 
this large and useful collection, 26 marks have been selected as of particular 
interest, appearing at one or more of the 21 sites described in the table, 
below.                France and Germany   The only marks generally available in 
Australia from continental Europe are a few from France and Germany, contained 
in Gould's History of Freemasonry. Those of the ‘Chateau of the Popes’ at 
Avignon include (below, left):        See note:  [39]   Ireland and Scotland   The earliest known examples of masons' 
marks in Ireland are to be found in the ruins of Grey Abbey, north of 
Killyleagh. It was built in 1193 for the Cistercian monks, and the marks are 
recorded in Caementaria Hibernica. Bro Chetwode Crawley, clearly of the 
Gould-Carr school, has this to say:[40]   … This edifice was built by a company or 
Lodge of Freemasons, who had been previously employed on the great Cistercian 
monasteries at Whitby and elsewhere in the North of England. They left behind 
them on their work the characteristic Masons' Marks, to which we attach so much 
importance, because we can safely assume that wherever they occur they were made 
by Operative brethren, who were bound by the same ties, and had learned their 
lessons in the same way as ourselves; who, in short, belonged to an organisation 
which lacked but time and circumstance to develop into the Speculative system of 
today. These marks cannot be later than 1210,
A.D., and are, as far as the 
present writer knows, the earliest in Ireland to which an incontrovertible date 
can be assigned.   Curiously, few of these ‘characteristic’ 
marks resemble marks found elsewhere. They are of ragged outline and are 
difficult to reproduce, but some are similar to:       Those on St Mary's Church, Youghal,[41] 
in the southeast of Ireland, are of two distinct types:     Again, Bro Crawley states that these are 
the marks of English masons.[42]   We are indebted to the Texas Grand 
Lodge Magazine[43] 
for a dated collection of early Scottish marks, from Ayrshire and Fifeshire, 
including:        Bro A Abrahams, of Adelaide, visited 
Edinburgh in 1851 and copied some 30 marks from stones of the underground walls 
of Old Trinity Church, which was being demolished.[44] 
This church was founded by Mary of Guelders, consort of James II (1430–1460). 
The marks included:        
  
 Bro Gould supplies an interesting but 
undated set from Melgund Castle: 
[45]
   
 and Bro Bernard Jones an undated 
collection from Melrose Abbey:[46]
   
 Bro W I Macadam was a frequent 
contributor of undated marks:[47]
       Let us now turn to the theories arising 
from observation of masons' marks.     Symbolism   The symbolism attributed to masons' 
marks is itself a vast field of study, one which, apart from a few general 
comments, I must leave for another occasion.   Symbolic marks are by no means confined 
to stones, as reference to any dictionary of symbolism, or examination of 
medieval art, will readily disclose. Christianity adopted many symbols from 
earlier times. Louisa Twining[48] 
illustrates not only the familiar Latin, Greek and St Andrew's crosses as 
symbols of Jesus, but also the tau and swastika. She provides several variations 
of the chi rho monogram of Jesus[49]
(below), and an asterisk in a circle as an emblem of immortality. She 
describes the triangle as a symbol of the Trinity, and comments that two 
triangles combined (as a six-pointed star) was a favourite design in medieval 
Christian art.        Bro Gould[50] 
gives a short summary of the symbolism of the tau, swastika, five- and 
six-pointed stars, the trident and the hourglass, and suggests that the figure 4 
may often be an incomplete hourglass. To these we might add the asterisk and 
S-shape as sun symbols, and the plain circle as a symbol of eternity.   It seems to me that a mason could well 
adopt a religious or other symbol as a mark for work-related purposes, either 
deliberately or unknowingly. From this I reason that where symbolic marks are 
found in conjunction with non-symbolic marks, the symbolism is not relevant. If 
the symbolic mark is isolated or in company only with other symbolic marks, the 
symbolism may be germane. This emphasises the need for full notes to be supplied 
with observations of marks.   Masons' marks have, of course, given us 
an excuse to form another degree, and to ascribe moral teaching to some 
of the more common marks.     Theories, notions and ideas   Bros Wynn Westcott and F F Schnitger 
submitted to Ars Quatuor Coronatorum two theories based on the 
cabbalistic writings of Heinrich Cornelius Agrippa von Nettesheim, relating to 
secret alphabets and magical numbers. Bro Speth, the editor, chose a polite and 
gentle way of setting the record straight, and added some useful information:   The above theory is ingenious, but I am 
afraid untenable. I can only speak from a limited experience of marks, 
practically confined to Canterbury Cathedral. There, at least, the same 
marks recur over and over again in every part of the building  … the well-known 
hour-glass, for instance. The zigzag mark … is prominent beyond all others at 
Canterbury, and, curiously enough, is seldom found alone on a stone, but 
almost always in conjunction with some other mark, as if it were the countersign 
of a foreman, or inspector … My limited experience runs counter to 
Bro. Hayter Lewis' suggestion that marks are seldom found on the plain wall 
stones, but chiefly on carved work. At Canterbury the opposite is the case. In 
the long north wall of the nave hardly a stone but has at least one mark, 
besides usually the countermark already mentioned; but on the columns hardly a 
mark is to be seen. On the south wall the marks are not quite so plentiful, but 
I believe many of the stones in this wall have been turned, because the hoofs, 
etc., of the horses at one time stabled along this wall had occasioned much 
damage.   Bro Speth's reference to columns reminds 
me that statues, when part of a group sculpted by different craftsmen, are often 
marked in inconspicuous places, so that they can be correctly assembled. Professor Rziha, who made a study of the 
German Steinmetzen, theorised that a complex ‘master-diagram’ would have been 
drawn of an intended large structure, and marks would be extracted from the 
diagram and allotted to masons employed on the site. He claimed to have 
recovered such diagrams from several European cities, to which Bro Poole[51] 
comments:   It would be rash to deny the possibility 
of such a system, however improbable (and unnecessary) it may appear. But it is 
difficult to see how it could have applied in the case of the Scottish Mason, 
whose Mark was allocated to him at the outset of his career, and could not be 
substantially altered. For the same reason, it is not easy to see how it could 
have been applied to the German stonemason … as the conditions seem to have been 
similar.   Bro Poole further states:[52]   Among the Steinmetzen of Germany in the 
seventeenth century, the Mason who was free of his apprenticeship and had 
thereby attained the rank of Fellow Craft, was formally admitted into the 
Fraternity at a regular Lodge meeting, when he took a solemn obligation to be a 
true, loyal and obedient Mason and, among the avowals, he declared that he would 
not of his own initiative change his distinctive mark. This was known as 
“pledging his mark,” which, henceforth, became his distinctive property. The 
mark was used by him as a signature, and he was required to engrave it upon all 
his work on completion, but he was punished severely if he did so before his 
work had been approved or passed. The placing of a mark upon finished work was 
not, however, peculiar to stonemasons, but was the practice also of cutters and 
joiners and, possibly, of other craftsmen. Nor was it a custom observed only in 
Germany. It was certainly adhered to in France … In Lodge Kilwinning, according to the 
Minutes of December 20, 1678, two Apprentices were entered who “paid their 
binding money and got their marks.”…   and earlier:[53]   The Schaw Statutes, which are 
dated December 28, 1598, ordain that   no Master or Fellow-of-Craft is to be 
received or admitted except in the presence of six Masters and two Entered 
Apprentices, the Warden of the Lodge being one of the six, the date thereof 
being orderly booked and his name and mark insert in the said book.   It seems clear from this that the 
selection of a mark took place at the time when the Entered Apprentice became a 
Fellow Craft.   Bro Poole cites other authorities, from 
which he reasons:[54]   The conclusions which we may draw from 
these references to the Scottish use of the Mark—and there seem to be no reasons 
for supposing that English practice was different, or that they differed 
materially from the practice of a much earlier age—are: (i) that the Mason was allotted a Mark 
of his own choosing; (ii) at the time when he first became 
qualified to accept work under a master;             (iii) and that he could not 
alter his Mark except temporarily under special circumstances.   Some 19th-century observers claimed to 
be able to distinguish indications of the class or grade of worker by the marks. 
For example, V Didron divided French marks into those of overseers and workers.[55] 
That this may be so in some cases is supported by the observation of Bro Speth 
in Canterbury Cathedral. Two other students, E W Shaw  (who intended to publish 
a book, Historical Masonry, illustrated by 5,700 of the 11,000 marks he 
had collected) and Smith,[56] 
went further, claiming to distinguish between the marks of masters, fellow 
crafts, apprentices, and unskilled labourers, so-called ‘blind’ marks. This is 
difficult to accept, in view of the evidence that, except in special 
circumstances, a mark was allocated to an individual for life.   In England and Scotland, at least, there 
seems to be little evidence to support a further contention, that marks were 
passed from father to son, or that a relative received basically the same mark 
but with a small distinguishing feature. These practices may have occurred 
occasionally, but were not widespread.   A group effort to collect marks 
systematically in a small geographical area, such as that of Bro Rylands and 
others in relation to Lancashire and Cheshire (illustrated earlier in this 
paper), promises a much better opportunity to draw valid conclusions, in 
relation to that area and timespan. Bro Poole[57] 
cites further concerted efforts of this nature. In such circumstances the 
recurrence of particular marks may well be significant, allowing the student to 
trace a craftsman or group of masons as they moved from site to site.   With sparser information it is 
impossible to attach significance to the duplication of a mark, especially when 
the marks are widely separated geographically or temporally. As an extreme 
example I refer to the triangle, figures 4 (Egypt, c 2500
bc), 21 (Crusader castle at 
Sidon), 68 (Hindu temple), 120 (northern England, 1674), 157 
(Holyrood Abbey, undated) and 240 (Scotland, undated). The only positive 
deduction to be made is that the triangle is popular among masons as a mark, and 
that is not surprising; it is aesthetically pleasing, has significance in the 
construction of buildings, and is easy to carve. In fact, there is bound to be 
duplication of marks, witting or unwitting, considering that the majority of 
marks consist of less than 8 strokes, mostly straight lines.   I have numbered most of the marks in 
this paper (and the others are readily identifiable) to facilitate further study 
and discussion, although I anticipate that any serious student whose interest 
has been aroused will refer to my sources—and find others.     Conclusion   Can one draw a conclusion? The very 
magnitude of the subject seems to prevent this. The marks open many fascinating 
lines of study and of speculation, as evidenced by the number of leading 
researchers in Quatuor Coronati in the early days who included the marks as a 
subject for study.   To me, the fact that the practice was 
widespread indicates that their use had a strictly practical purpose. Building 
is a severely practical pasttime; it does not devote time or energy to flights 
of fancy. Therefore, my feeling is that when we get in-depth research on this 
subject — and it will, of necessity, be conducted in the northern hemisphere — 
the results will be quite prosaic.   I hope that in presenting this 
preliminary study I have drawn the veil from an aspect of the Craft to which not 
much attention has been given in recent years, and stimulated your interest. I 
trust that you will judge that I have marked well.    [Editor's note:   A condensed version of 
this paper was presented to the conference. The very full endnotes are the 
reason for the omission of a bibliography.]   
    
	
 Notes
 
		
		
		[1] WOODFORD A F A: Kennings 
		Masonic Cyclopaedia, p458, London, George Kenning, 1878, quoted without 
		acknowledgement in GOULD R F: Concise History of Freemasonry, p239, 
		London, Gale & Polden, 1903. 
		
		
		[2] (1890) AQC III 65 @ 69. 
		
		
		[5] SIMPSON W, (1889) AQC II 124. 
		
		
		[6] SINGER I (ed): Jewish 
		Encyclopedia, vol 7 p123. 
		
		
		[8] Quarterly Statement (1889) Vol 
		1 p33, Palestine Exploration Fund. 
		
		
		[9] ‘The High Sanctuary of 
		Jerusalem’, Good Words, October 1881. 
		
		
		[10] A century of excavation in 
		Palestine, pp35,6, London, 1925, quoted in HORNE A: King Solomon's 
		Temple in the Masonic Tradition, p75, London, Aquarian Press, 1972. 
		
		
		[15] History of Freemasonry, 1st ed, 
		vol 1 p464, citing East of Jordan (1881). 
		
		
		[16] ‘Masonry and Masons' Marks’, 
		(1890) AQC III 65 @ 73. 
		
		
		[18] Masonic Record of Western 
		India, April 1890. 
		
		
		[19]   see DYER C F W: The history 
		of the first 100 years of Quatuor Coronati Lodge No. 2076, p63, London, 
		QCCC Ltd, 1986. 
		
		
		[22] GOULD R F: ‘Collected essays 
		and papers on the antiquity of Masonic symbolism’, (1890) AQC III 130. 
		
		
		[23] GOULD R F: History of 
		Freemasonry, vol 1 pp455,6. 
		
		
		[24] The Freemasons' Guide and 
		Compendium, 1950. 
		
		
		[25] St CLAIR W K: ‘Degrees of Mark 
		Masonry’, Texas Grand Lodge Magazine, February 1946, reprinted in Chips 
		from the chisel, Holden Research Circle, Melbourne, 1992. 
		
		
		[26] Brewer's Dictionary of Phrase 
		and Fable, 14th ed p285, London, Cassel, 1990. 
		
		
		[35]   Gould's History of 
		Freemasonry vol 1 ch 9. 
		
		
		[36]   Freemasons' Guide and 
		Compendium p543. 
		
		
		[39]   Mrs Murray Aynsley says: '… 
		the tradition regarding it is that when the true cross was found by the 
		Empress Helena, the footpiece was found displaced, therefore this form 
		was adopted and has ever since been retained by their communion.', 'The 
		Tau or Cross: a heathen and a Christian symbol', (1892) AQC V 84. 
		
		
		[40] Caementaria Hibernica, 
		Fasciculus primus 1726–1730, p10. 
		
		
		[41] Gould's History of 
		Freemasonry, vol 1 ch 9. 
		
		
		[43] ‘Degrees of Mark Masonry’, by 
		Bro Lt Col W K St Clair, February 1946. 
		
		
		[47] (1895) AQC VIII, 233; (1899) 
		AQC XII, 207. 
		
		
		[48] Symbols and Emblems of Early 
		and Mediaeval Christian Art, new  edn, London, John Murray, 1885. 
		
		
		[50] Concise History of 
		Freemasonry, pp246-9. 
		
		
		[51] in his revision of Gould's 
		History of Freemasonry, 1951, vol 1 ch 7. 
		
		
		[55] GOULD R F: History of 
		Freemasonry, vol 1 pp455,6. 
		
		
		[56] Proceedings, Society of 
		Antiquaries of Scotland, vol iv p548. |