The Canonbury Masonic Research Centre has been established in 1998 in London and it is a charitable trust whose social aim is to study and investigate all the aspects of Freemasonry.
"Freemasonry in Music and Literature" is the second volume of the "Canonbury Papers" series and collects nine essays that have been delivered at the Fifth International Conference organized by CMRC in 2003.
Almost all the papers are the results of an original research, very well documented by a rich bibliography and accompanied by a considerable apparatus of explanatory notes; therefore they can be considered real studies at academic level.
The published papers, edited by Trevor Stewart, Prestonian Lecturer of the United Grand Lodge of England for the year 2004, equally cover both Music and Literature.
The most important one is undoubtedly the paper written by Professor Prescott, Director of the Centre for Research into Freemasonry at the University of Sheffield.
In this 25 pages essay, the author discusses new topics concerning the origins of the Masonic manuscripts Regius and Cooke.
The traditional studies of these manuscripts considered only the literary aspect, while the author investigates them favouring the historical context in which they have been written.
The comparison of these manuscripts with others of the same time, even non Masonic, allows to determine a later dating of the "Regius" and to discover that some parts of it have been copied from other manuscripts that nothing have to do with the Guild of the Stonemasons.
Obviously, this volume cannot miss a paper on "Mozart and his contribution to the Craft", written by John Wade.
Three well documented papers on Masonic music, written and sung not only at Lodge meetings in the eighteenth century, are written by Andrew Pink, Andreas Önnefors and Malcolm Davies. In virtue of the paper by this last author, the reader has an almost complete view of the major Odes, Cantatas, Marches, Songs and Oratorios created by many musicians for Freemasonry over two centuries (1700 and 1800).
Very interesting is the essay by Diane Clements, Director of the Library and Museum of Freemasonry at Freemasons' Hall, London, on the musician and conductor Michele Costa.
Born in Naples in 1808, Costa studied music with Zingarelli and then moved, very young, to London, where he rapidly obtained a great success and became Director of Music at Covent Garden.
Costa entered Freemasonry at the apex of his success, so his entrance was not due to take an opportunity to support his carrier, but was likely a safe way to gain social recognition in England. This testifies the great consideration and the role that Freemasonry had reached in the English society of the nineteenth century.
Also very important is Edward M. Batley's paper on Goethe and the presence of the Freemasonry values in his work. Only one, minor remark. It is a pity that the author does not mention the libretto "Die Zauberflöte" (The Magic Flute), written by Goethe after knowing Mozart's opera. Goethe imagined it as a sequel of the first opera and wanted to submit it to Mozart but he could not do it for the untimely death of the musician.
The only paper of minor value, however only five pages out of 161 this wonderful volume of CMRC is composed of, is that dedicated to Freemasonry in Russia.
There is nothing new in it and seems only to summarize information already reported in other works.
Likely my opinion is stressed by the fact that I have just reviewed the basic text "A Rosicrucian Utopia in Eighteenth-Century Russia", by Prof. Raffaella Faggionato, University of Udine, Italy, published by Springer.
This second volume of the "Canonbury Papers" is the clear evidence of the "keystone" role that the Canonbury Masonic Research Centre performs within the ambit of the studies on Freemasonry.
A volume that anyone who is interested in studying the relationships between Freemasonry and Arts should read and that should be present in every Lodge library.
Bruno Virgilio Gazzo
editor
PS Review of FM
