Progress through the degrees of the Scottish Rite
is a pilgrimage
that imparts moral and spiritual instruction for
the proper conduct of life.
In
the Mysteries of most of the ancient religions, the candidate’s
participation was a mystical journey, as it is in each degree in freemasonry,
the destination revealing the ultimate purpose of the degree. By definition a
pilgrimage is an actual or allegorical journey to visit a holy place or a place
venerated for its associations, which is often regarded as the journey of a
lifetime. The candidate’s journeys through the various degrees of the Ancient
and Accepted Scottish Rite, commonly referred to as the Scottish
Rite, also constitute a symbolic pilgrimage that is intended to impart
important moral and spiritual instruction for the proper conduct of life.
Although not identical in all jurisdictions, the thirty-three degrees of the Scottish
Rite usually differ only in their details between jurisdictions. As
these differences generally are not of a fundamental nature, they are of no real
consequence when considering the mystical journeys in which the candidate
participates. The degrees may be considered under the following seven groups,
which should be familiar to all members of the Scottish Rite
irrespective of the jurisdiction to which they belong:
1.
The
Craft Lodge or Preparatory Degrees
– 1° to 3°.
2.
The
Lodge of Perfection – 4° to 14°
3.
The
Council of Princes of Jerusalem
– 15° and 16°.
4.
The Sovereign Chapter of Princes Rose Croix
– 17° and 18°.
5.
The
Sovereign Council of Knights of Kadosh
– 19° to 30° of which -
a.
19° to 25° are Philosophical;
b.
26° to 28° is a Search for Truth;
c.
29° is Moralistic; and
d.
30° is Consecration as Knight Kadosh.
6.
The
Consistory – 31° and 32°; and finally
7.
Sovereign
Grand Inspector General – 33°.
In
about 1740 Christian masonic orders began to emerge in France, claiming to be a
direct continuation of the Knights Templar. As many of the degrees
had a Scottish title and Traditional History, they were designated Ecossais.
In 1758 an organisation in Paris, called “The Emperors of the East and
West” established a series of twenty-five Ecossais
degrees and called it the Rite of Perfection. The rite spread
quickly to the West Indies as a result of trade with France and it reached the
mainland of North America in 1767. Statutes and Constitutions were issued in
1786 extending the Rite of Perfection to thirty-three degrees.
They included seven degrees from other sources randomly interspersed between the
18° or Sovereign Prince Rose Croix and the 25° or Knight
of the Royal Secret, also called Knight of St Andrew and Faithful
Guardian of the Sacred Treasure or Knight of the White and Black
Eagle. Thus the original 25° became the 32° and an additional degree,
primarily of an administrative nature, was added and called the 33° or Sovereign
Grand Inspector General. The formal establishment of the first Supreme
Council of the rite at Charleston, South Carolina, followed in 1801. It
recognised the extension of the rite and completed the transition by changing
its name to The Ancient and Accepted Scottish Rite.
The
candidate’s pilgrimage through the Scottish Rite and the
symbolism that is reflected in the work of the degrees will now be reviewed. As
the scope of the degrees is wide and varied, only their salient aspects will be
considered and the important elements of their symbolism explained in enough
detail for the purpose of the pilgrimage to be appreciated. The regalia and
colours associated with the degrees will also be discussed in relation to their
symbolism, but not exhaustively because there are many differences in detail
between jurisdictions. Those differences will not be mentioned unless they are
of special significance in the context of the journey. With regard to each
degree, it is important to keep in mind the several basic elements that apply to
every journey, so that the real purpose of the pilgrimage can be fully
appreciated. These basic elements of each journey are the participant’s
labour, observation, contemplation, education and lastly the proper application
of the wisdom acquired during the journey.
The original craft degrees practised in the Scottish
Rite were the French degrees of Apprentice, Companion
and Master, which are similar to the degrees still being worked in
speculative craft freemasonry. The several Supreme Councils that control the Scottish
Rite agreed long ago that they would not work the first three degrees,
except for demonstration purposes, but would accept as their equivalents the
speculative craft degrees of Entered Apprentice, Fellow
Craft and Master Mason received under a recognised Grand
Lodge. However, it is worth noting some differences from the work of the degrees
as they are carried out under some Grand Lodges. In particular the Apprentice
is required to spend an extended period in a room of contemplation, lit only by
a candle, where he has to prepare answers to a series of questions for the
approval of the brethren before he may be admitted as a candidate. Also, the
journey of an Apprentice is more physically challenging than that
required of a candidate in speculative craft lodges under most jurisdictions,
because the candidate is required to overcome various obstacles and to submit to
various trials of his fortitude.
The Companion receives instruction on an
important symbol that is rarely seen in English craft lodges nowadays, “la
pierre cubique a pointe”, a cubical stone crowned with a pyramid. It
featured on early English tracing boards and was called a broached thurnel.
The Companion’s special attention is drawn to the Greek Cross
that has four equal arms and signifies eternity; the Tau Cross,
which signifies that the spirit is ascendant in the individual; and the Ankh
Cross, which symbolises the life-transforming nature of faith. He is
also told that, in addition to its well-known interpretations, the G
in the centre of the building represents knowledge, from the Greek
word gnosis. The Master is instructed in the usual
Hiramic legend, but the work of the degree is longer and more dramatic than
under most craft Grand Lodges. The degree concentrates on a philosophical
contemplation of the soul of man and its return to heaven. In all three degrees
the apron is white with a narrow blue border, signifying purity and friendly
union. The apron has long blue tapes that are passed around the waist and tied
in front under the flap, with the ends left hanging down, reminiscent of the
wavy cord enclosing some early tracing boards in the first degree, that was
knotted at the four corners and terminated with its two tasselled ends hanging
down. It still appears surrounding some tessellated pavements as a reminder that
the bonds uniting freemasons should draw them together. Apprentices
wear the apron with the flap turned up, while Companions wear it
with the flap turned down and a corner turned up. Completion of the craft
degrees proves that the candidate has the desire and the fortitude required to
continue his pilgrimage.
The Lodge of Perfection
These degrees continue the story of King Solomon’s
temple until Jerusalem was destroyed and the temple sacked by Nebuchadnezzar in
587 BCE. They reflect similar stories enacted in other degrees of
freemasonry, many of which are referred to as the Solomonic Degrees.
Although not exactly the same, some degrees of the Mark Lodge, the Royal Arch
Chapter, the Cryptic Council, the Lodge and Council and the Allied Masonic
Degrees are similar to or their themes run parallel with some of those worked in
the Scottish Rite. Most of the degrees comprised in the
aforementioned branches of freemasonry constitute the main stem of what is
called the York Rite in the United States of America, connecting
the speculative craft degrees with the Knights Templar. They are often referred
to as the traditional degrees in freemasonry and are the subject of the previous
chapter in this book. Members of those orders will recognise many topics that
are summarised in the following discussion on the degrees of the Scottish
Rite, which are considered in groups of degrees that have interrelated
topics.
The 4° or Secret Master teaches
secrecy, obedience and fidelity. Its primary colours are black and white, with
the usual symbolic meanings, but the flap of the apron is blue and has an
irradiated golden All-seeing Eye in the centre, alluding to the
heavens and the ever-present Deity. This degree begins the philosophical and
moral lessons of equilibrium, which is a central theme in the Scottish Rite. The
5° or Perfect Master symbolically re-enacts the funeral of the
master builder, Hiram Abif, often referred to as the third Grand Master at the
building of King Solomon’s temple in Jerusalem. Traditionally a reenactment of
the death of the master builder was carried out annually, when a qualified
master was selected to represent him for the ensuing year. This custom is still
followed by the Operative Free Masons. In this degree the lining, flap and
border of the apron and also the sash or cordon are green, symbolising joy and
the spring of rebirth after death, contrasting with the sorrow associated with
the previous degree. The 6°, called Intimate Secretary or Master
by Curiosity, relates to the unheralded entry of King Hiram into King
Solomon’s private chambers, when he discovers someone whom he thinks is an
intruder. Solomon’s wisdom prevails and he judiciously heals the differences
between the several parties. The apron is white emblematic of purity and edged
with crimson emblematic of zeal. The letters B, N
and S are on the apron in the form a triangle, with the letters JH
in the centre, all in Phoenician characters. The letters that form a triangle
signify Berith, Neder and Shelomoth,
signifying Covenant, Vow and Perfection,
while those in the centre spell Jah.
In the 7° or Provost and Judge, the
candidate is entrusted with the ivory key to an ebony casket, which holds the
plans of the temple when not in use, together with the records of the judgments
and decisions of King Solomon’s tribunal. Ivory and ebony are white and black,
symbolic of equilibrium and justice, also symbolised by the emblem embroidered
on the flap of the apron, which is the hand of justice holding the scales of
judgment. This degree teaches that every action, dream, virtue or vice committed
by an individual becomes part of the plan of his temple, even though they might
not be apparent to others. The colours are white and red, the emblems of
innocence and guiltless blood. In the 8°, called Intendant of the
Building or Master in Israel, the white apron and flap are
edged in green and the collar is red, respectively emblematic of purity, zeal
and hope for the future. Labour is the central theme of this degree, in which
the candidate is told that real progress can only be made with the aid of study,
that important undertakings can only be carried out with cooperative effort and
that knowledge will be lost unless carefully preserved and passed on to others.
The 9°, 10° and 11° form a trilogy intended to
impress upon the candidate that self-discipline is a vital characteristic. The
degrees are Master Elect of Nine, Illustrious Master Elect
of Fifteen and Sublime Knight also called Knight
Elect or Sublime Prince Elect. The 9° and 10° relate to
the search for and bringing to justice of the ruffians who slew the master
builder. The 11° culminates with the reward of the faithful workers through
initiation into higher service. The three degrees respectively teach service and
obedience to superiors, emphasise the need for subordination to the common task
and demonstrate that only those who have learned to subjugate themselves can
properly exercise authority over others. These degrees are called Elu of
Nine, Elu of Fifteen and Elu of Twelve in
the United States of America. In all three degrees the aprons are white, edged
with black and black sashes also are worn.
The aprons of the 10° and 11° also have black
fringes. In Hebrew, Phoenician and other traditions fringes are a symbol
representing spirituality and dedication to things that relate to the spirit. In
these degrees black features as a symbol of sorrow for the ignorance, tyranny
and intolerance that freemasons are pledged to overcome. The sash in the 9° is
adorned with nine red rosettes as emblems of the special virtues emphasised in
the degree, which are courtesy, devotion, firmness, impartiality, frankness,
generosity, self-denial, heroism and patriotism. The apron and sash in the 10°
are both adorned with three red rosettes. The smaller rosettes on the apron
represent the three ruffians who symbolise ignorance, tyranny and fanaticism,
while the larger ones on the sash symbolise that the candidate has overcome
those perils. The candidate receives his reward in the 11° as a member of the
Elect of Fifteen, each of whom has the characteristic name and title of Nasia
Ameth, the two Hebrew words Nun Samech Yod and Aleph Mem Tau
that respectively mean Prince and Truth. In both of
these degrees a dagger or poniard appears as a jewel, as a symbol of the
two-edged Sword of Truth with which every freemason should be
armed.
The 12° or Grand Master Architect
relates to the period immediately after the dedication of King Solomon’s
temple. The theme changes from the teaching of pure morality to the introduction
of philosophical considerations. In this context it extends the moral
instruction imparted in the speculative craft degrees, but does not refer to the
manual working tools of the operative freemason used as emblems in those
degrees. Instead it contemplates instruments used for calculation and creation,
such as the plain scale employed to measure dimensions, the sector or hinged
scale used in computations, the protractor used to measure and set out angles on
a plan, the parallel rule and the several types of dividers and compasses. These
instruments represent measurement, computation and creativeness, respectively
symbolising justice, wisdom and the spirit of God. As might be expected, the
apron and flap are white edged with blue and the sash is blue, with the same
symbolism as in speculative craft freemasonry. The apron is fringed with gold as
an emblem of spirituality enhanced by the active forces of nature. The jewel of
the degree is suspended from the sash and has seven sides. It portrays an
equilateral triangle of three circular arcs in the centre and has a five-pointed
star in each corner. The degree relates to the establishment of a school of
architecture and emphasises the study of geometry.
The 13°, called the Royal Arch or the Royal
Arch of Enoch, relates to a search instituted by King Solomon to find a
secret vault that was hidden under the ruins of an ancient temple that the
patriarch Enoch built before the flood. In an alternative working the degree is
called the Royal Arch of Solomon and it relates how, during the
building of King Solomon’s temple, three workmen discovered the vaults that
had been constructed by Enoch. Both narratives are similar in many respects to
that relating to the preparations made by Zerubbabel to rebuild the temple at
Jerusalem. Nine subterranean vaults were found under the ruins and thereafter
they were referred to as the Sacred Vault. A golden Delta
that had been deposited by Enoch also was recovered from the ruins. It was
engraved with the Tetragrammaton, the Sacred and Ineffable
Name of the Deity, thus providing a clue to the true meaning and
pronunciation of the Word. The apron is crimson, which is red
tinged with blue, symbolising spiritual zeal. The sash is purple, a mixture of
red and blue, which symbolises the spirit, has an element of zeal and also
alludes to royalty. The degree teaches that our quest for the unknown must be
prosecuted with zeal and imbued with spirituality, continuing without end as we
draw closer to the Deity in heart, mind and spirit.
The 14°, or Grand Scottish Knight of the Sacred
Vault, is also known as the Grand Elect Perfect and Sublime Master
in England and as Perfect Elu in the United States of America. It
meets in the Sacred Vault, where the candidate is required to
prove himself in all the preceding degrees, after which he is accepted as having
reached Perfection in Ancient Masonry. The candidate
is told that after King Solomon had completed the temple he transgressed in the
sight of the Lord and that later, when the children of Israel followed his
example, Nebuchadnezzar had destroyed the temple as a punishment for their sins.
As a reward for his zeal and devoted service in the Lord’s name, the candidate
is entrusted with the original Word of a Master Mason and is
instructed in its correct pronunciation. The apron and flap are white, edged
with blue and lined with red, with the usual symbolism. The collar is crimson
symbolising spiritual zeal and it is decorated with a sprig of acacia on the
wearer’s left, symbolising immortality. On the right of the collar is a silver
or gold five-pointed star, in which the Phoenician word for perfection
is displayed.
The Council of Princes of Jerusalem
The 15° is called the Knight of the East
or of the Sword. It relates to Zerubbabel when he appeared before
Cyrus the King of Babylon and requested permission to return to Jerusalem to
rebuild the temple. When Cyrus agreed to Zerubbabel’s request he issued a
decree to end the captivity of the Israelites and ordered that the sacred
vessels of the temple should be returned to them. This degree is the beginning
of the second part of the old Rite of Perfection, which was called
Modern Masonry. The apron and flap are red, edged with green and
decorated with three concentric equilateral triangles of chain that are
reminders of the enemies of human intellect, namely tyranny, privilege and
superstition, which are counteracted by liberty, fraternity and equality,
represented by the three solid concentric triangles on the jewel. A green sash
and a green collar that is edged and fringed in gold also are worn, representing
the transcendent nature of freemasonry and symbolising the immortality of the
human soul. The emblems of the degree also include a trowel and crossed swords,
as a reminder that liberty and independence must be fought for constantly. They
also allude to the legend that the operative freemasons found it necessary to
work with a trowel in one hand and a sword in the other when rebuilding the
temple at Jerusalem.
The 16° or Prince of Jerusalem begins
in Jerusalem with Zerubbabal sitting in Council with the Knights of the East,
because work on the second temple had been brought to a standstill by the
ceaseless attacks of the Samaritans. Five of the Knights were selected and sent
on a mission to Darius, who had succeeded Cyrus as King of Persia, to request
him to enforce the Decree of Cyrus by ordering the Samaritans to cease their
attacks. They also asked Darius to assist them with the supply of materials for
construction of the temple. During their visit to the court of Darius the
Knights took part in the discussions on the classical riddle recorded in I
Esdras 3 and 4, to decide “Which is stronger, wine, women or the king?” When
Zerubbabel concluded the discussion, saying that Truth is
strongest of all and gave his reasons, their request was granted. When the
Knights returned to Jerusalem their reward was to be created as Princes of
Jerusalem. In an alternative working it is Darius who creates Zerubbabel as a
Prince of Jerusalem, to reward his wisdom and to enhance his authority by
elevating him to the same level as the Prince-Governors of the other provinces
beyond the River Jordan.
In the 16° the apron and flap are red, edged with
gold, symbolising the zeal of the Knights in their pursuit of justice and the
loftiness of their purpose. A silver trowel is suspended from a golden sash,
emblematic of the nobility of labour. A Hand of Justice, holding
the Scales of Judgment, is depicted on the flap and on the jewel.
The Scales of Judgment are also depicted on the sash, with a hand
holding the Sword of Righteousness immediately above them. There
are two crowns on the sash, one on each side of the Scales of Justice,
signifying the separable functions of civil and religious authority. On the body
of the apron are the Phoenician letter corresponding to the Greek letter Alpha
as a symbol of God and the Greek letter Theta as a symbol of
judgement, for which purpose it was used in court by the ancient Greeks to
signify the sentence of death. This degree continues the message that liberty
must be fought for without remission whilst labouring for the benefit of
mankind.
The Sovereign Chapter of Princes Rose Croix
The 17° or Knight of the East and West
unites the work of Ancient Masonry with that of the Modern
Masonry, which commenced in the 15°, foreshadowing the work of the 18°.
The Crusaders, when seeking to establish the Christian faith and the worship of
the True God at Jerusalem, were reminded of the work of Zerubbabel
and the Knights of the East who erected the second temple at Jerusalem. The work
of the degree relates to the breaking of the Seven Seals of the
Book of Revelation. The apron and flap are both triangular as a symbol of the
Deity. Their colour is gold in allusion to the dawn of a new era and the edges
are red as an emblem of faith and zeal. Two sashes are worn, one of black from
the left or weaker shoulder to the right hip and the other of white from the
right or stronger shoulder to the left hip, white over black. Light and
knowledge is symbolised by the white sash, which prevails over the darkness and
ignorance symbolised by the black sash. This also alludes to duality and the
balance of nature, symbolising equilibrium. The two sashes form a Cross of
St Andrew, which is an ancient symbol for change or transformation and
also alludes to crucifixion. The apron is decorated with a Tetractys
of ten Yods, the first Hebrew letter of the Tetragrammaton.
The triangular shape of the Tetractys represents God and the ten Yods
represent the ten Sephiroth or manifestations of God that
constitute the Tree of Life referred to in the Cabalah and
symbolising God’s creation and preservation of the universe.
The 18° Sovereign Prince Rose Croix, or
Knight of the Eagle and the Pelican, is the story of a descendant
of the princes and rulers in Israel who is wandering aimlessly after the
destruction of Herod’s temple by the Romans, seeking the enlightenment of the New
Law. During his wanderings in a state of darkness and despair he
discovers the three pillars of Faith, Hope and Charity,
which relieve his despair and will thenceforth be his guide. In the Chamber
of Darkness that represents a world lost in sin and despair, he catches
a glimmer of the light of the True Word and is thus encouraged to
continue his search. Ultimately his search is rewarded in the Joyful
Chamber that represents a world enlightened by the Saviour of mankind,
where the True Word springs forth in all its splendour. The
regalia of the degree comprise an apron and a collar from which the jewel is
suspended. All items of the regalia are reversible, having a dark side and a
bright side. The dark side of the apron is a badge of mourning that is worn when
the Word was lost, while the bright side is a badge of rejoicing
that is worn when the Word has been found. Entry into this degree
represents a transformation by entering into the third or Spiritual and
Moral Temple that Christ established at Jerusalem. In this context it is
important to realise that Herod’s temple was not the third temple, but an
expansion of the second temple built by Zerubbabel.
The dark side of the apron and collar is black or a
dull purple, on which a red Latin or passion cross is raised on three steps, all
edged in gold. The bright side of the apron and flap are white, edged in crimson
and the bright side of the collar is crimson. The emblems on the apron and
collar vary between jurisdictions, but they always include representations of a
Latin cross and a pelican feeding its young. Traditional Scottish aprons have a
rounded flap and body, but others have a triangular flap and rectangular body.
The flap of the apron usually is adorned with a rayed golden triangle that
encloses either the Tetragrammaton in Hebrew or an All-seeing
Eye, emblematic of Almighty God. The jewel is a pair of compasses opened
60° on an arc. On the side worn in the Joyful Chamber the
compasses enclose a pelican feeding its young, which alludes to devotion and
self-sacrifice. On the other side is a silver eagle, which alludes to wisdom and
intelligence. A red rose at the hinge of the compasses on the side with the
pelican alludes to the Saviour and a silver rose on the other side to His
ascension. A seven-pointed crown surmounts the jewel, to remind us of the
sovereignty of the people and their right of self-determination, as well as to
emphasise that a freemason of the highest rank is only the first among his
equals
The Philosophic Degrees of the Sovereign Council
The 19° or Grand Pontiff, sometimes
called Sublime Scottish Knight, teaches that ignorance and sin
must be combated with the assistance of the help that comes from above,
complementing the teachings of the 16° and 17°. In this degree pontiff
is used in its original sense of bridge builder, which is its
primary theme. An important element of the regalia is a crimson sash edged in
white, symbolising zeal and purity. The sash is decorated with a line of twelve
golden stars, separated midway by the Greek letters Alpha and Omega.
The jewel suspended from the sash is a rectangular gold plate, engraved with the
Hebrew characters Aleph the Tau on the obverse and
reverse sides respectively. Both of these inscriptions, the Greek Alpha
and Omega and the Hebrew Alpha and Tau,
signify the first and the last and the beginning and the end,
thus representing the full cycle of existence, or totality. The
twelve stars have several meanings, which include an allusion to the Zodiac and
the twelve tribes of Israel, as well as the twelve gates of the New Jerusalem
and the twelve fruits of the Tree of Life depicted on the tracing
board. The degree emphasises that sin and indifference must be fought with zeal
and purity of the heart, to build a better world.
The 20° or Venerable Grand Master, also
called Master of the Symbolic Lodge, has a traditional history
that seeks to link the builders of Herod’s temple with the Knights
Templar, who settled at Kilwinning after escaping from the Inquisition
in France in 1314 and established the Scottish Rite in Scotland.
The apron and flap are yellow, edged with sky blue and the sash has equal bands
of yellow and blue, emblematic of a new birth and friendly union. The apron and
jewel display three concentric equilateral triangles that have a cross in the
centre formed by the intersection of two inscriptions. The bar of the cross is a
Tetragrammaton, written in Phoenician characters because Hiram’s
birthplace was Phoenicia. The Hebrew words Yod He Yod and Aleph
Waw Resh written upwards form the upright of the cross, which is yehi
aur or let there be light. The central theme of the degree
is that we must control our own destiny with the help of God.
The 21° called Noachite or Prussian
Knight is an unusual degree that relates the story of Phaleg, the chief
architect of the Tower of Babel, who spent his closing years after the
destruction of the tower repenting in exile in a triangular shrine. The apron
and flap are yellow and the sash is black. The yellow alludes to a new dawning
resulting from the part played by Noah in the preservation of the antediluvian
arts and sciences and its transmission to those who followed. The black alludes
to sorrow for the causes of the destruction of the tower. On the flap is
displayed an Arm of Justice holding a naked sword ready to strike.
On the body of the apron is the Egyptian figure of secrecy and silence, a winged
human figure with the forefinger of the right hand to the lips. The jewel also
depicts the Arm of Justice with the Latin words Fiat
justitia, ruat coelum in an arc above them, signifying Let there
be justice, though the heavens fall.
The 22° called Prince of Libanus, or Knight
of the Royal Axe, teaches that labour is a privilege that is dignified
and noble of itself, neither a punishment nor a curse. The work of the degree
begins as a meeting being held in the workshop of a timber yard on Mount
Lebanon, where Colleges had been established for the improvement of forestry and
the practice of benevolence and other social virtues. King Solomon had
established settlements of workers there after the dedication of the first
temple and their descendants had supplied timber for the second temple. The work
continues as a round-table conference in the Inner Council of one of the
Colleges concerned with the supervision of morals and the science of
measurements, proportions and dimensions. The apron and flap are white edged
with purple, the sash is rainbow coloured and the jewel is a golden axe. A round
table is depicted on the apron with mathematical instruments and plans resting
on it. The white apron signifies purity of purpose, while the purple edges
signify spiritual zeal. The mathematical instruments, plans and golden axe
combine to emphasise the nobility of labour. The rainbow sash is lined with
purple, which is a symbol of hope for the future reinforced by spiritual zeal.
The 23° or Chief of the Tabernacle
teaches that, in the fullness of time and when necessary in a good cause, the
successor of a deceased worker will come forward and continue the fight against
evil. The candidate represents the son of Hiram Abif, the master builder who was
slain before completion of the first temple at Jerusalem. Hiram Abif’s son
enters the tabernacle after a long delay and offers up the sacrifice that had
been made every day since King Solomon made the first offering of thanks for the
retribution that had been inflicted on the assassins. After making his offering,
the candidate is told that he must constantly seek out and eliminate envy, folly
and cowardice. The apron and sash are white, bordered with red, blue and purple,
the colours used to decorate the interior of the tabernacle. A representation of
a golden menorah, or seven-branched candlestick, is depicted on
the apron to remind the wearer that he must always bear witness to the light, as
we are told in John 1:8-9, which says “he came to bear witness to
the light – the real light that enlightens every man”.
The 24° called Prince of the Tabernacle
is highly mystical, but it conveys the simple underlying message that we should
seek inspiration from the universe that surrounds us, because simple faith is
wiser than vain philosophy. It is a curious story beginning when the altar of
the temple is overthrown, false gods invade the holy place and King Solomon
strays from righteousness. The setting suddenly changes to the idyllic state in
the Garden of Eden before the fall of man, to which state all
should aspire. The message of the degree is emphasised by the apron of white
lambskin, which is edged with light green and lined with scarlet, symbolising
fervency in the pursuit of that purity of life that will lead to spring and a
rebirth. The sky blue flap is adorned with a myrtle tree, emblematic of
immortality. The scarlet sash is adorned with a golden scarab beetle, a winged
globe and a butterfly, all emblems of rebirth. A Phoenician Aleph
is suspended from a violet collarette, which also symbolises beginning and
rebirth.
The 25° or Knight of the Brazen Serpent
teaches that life and liberty can only be enjoyed through cooperation with our
fellow men, which is demonstrated to the candidate by his inability to ascend
Mount Sinai, representing the Hill of Virtue, until the chains in
which he is bound have been removed at the instigation of others. The story is
illustrated by the recovery from mortal agony of all those present when the
candidate passes them holding aloft a staff bearing the serpent he found on top
of the mountain. The serpent alludes to the all-healing herb that Moses is
reputed to have found on Mount Sinai, when he saw a serpent applying the herb to
a wounded mate. The apron and flap are white, edged and lined with black. The
white side of the apron is adorned with golden stars representing the Pleiades
and it also has a rayed equilateral triangle with the Tetragrammaton
in Phoenician characters in the centre, to remind us that our help is in God. On
the flap is a symbol called an Ouroboros, a serpent coiled in a
circle with its tail in its mouth, symbolising time and eternity
and also alluding to the great cycles of time in which we live. A crimson sash
is worn from the left shoulder to the right hip and over it a white sash from
the right shoulder to the left hip, as a reminder that purity must always
prevail in our zealous pursuits. As in the 17° the sashes form a Cross of
St Andrew, an ancient symbol for change or transformation that also
alludes to crucifixion. A crimson collar is worn, from which an Ankh Cross
is suspended. The upright arm of the cross has the words “he has
suffered” engraved in Hebrew and the crossbar has Nehushtan
in Hebrew characters, the name given in 2 Kings 18:4 for the brazen serpent
Moses set up on a pole, said to be in the form of an Ankh Cross,
which Moses did at God’s command after interceding with God on behalf of the
people. The loop of the Ankh Cross has a serpent coiled around it,
symbolising healing and spiritual grace.
The Search for Truth in the Sovereign Council
The 26° called Prince of Mercy, or Scottish
Trinitarian, emphasises that there are three progressive stages by which
Truth can be determined. They are a literal interpretation, a
figurative interpretation and a hieratic or spiritual interpretation. The apron
is scarlet, edged in white and the flap is purple, signifying devotion, purity
and spiritual zeal. The sash is green, white and red, which respectively
symbolise the infinite wisdom of the Deity, the unlimited power of the Deity and
divine harmony. The apron and jewel depict the triune aspects of the Deity by an
equilateral triangle, which signifies that the Wisdom, Strength
and Beauty of the Deity is absolute, that the Creative,
Preservative and Destructive power of the Deity is
infinite and that the Father, Son and Holy
Ghost comprise three inseparable elements of the Deity. Within each of
the triangles there is a flaming heart, engraved with the letters IHS,
which is another important symbol of the degree. The letters IHS
have been assigned various interpretations, including Iesus Hominum
Salvator, meaning Jesus Saviour of Man; and In Hoc
Signo, meaning In This Sign; and also Imperium,
Harmonia, Sapientia, meaning Power, Harmony
and Wisdom.
The 27° or Sovereign Commander of the Temple
continues the search for Truth. The moral of the candidate’s
journey is reminiscent of that posed by the classical riddle in the 16°. The
candidate travels under difficulties with his hands bound and is faced with
three great temptations. They are a life with sensual pleasure, but without
faith; a life based on the practical and economic realities of the world, but
without any spiritual component; and lastly a life based solely on spiritual
values, but without any true human content. The candidate overcomes these three
temptations while journeying from the west to the east, where he encounters and
wins a final battle, which demonstrates that Truth must always
prevail. His hands are then unbound and he is crowned with laurel as a token of
his courage and perseverance in his search for truth. The apron is scarlet edged
in black, emblematic of the candidate’s zeal and determination in overcoming
the sorrow, death and martyrdom represented by his trials. It is adorned with a
laurel wreath enclosing a key, as a reward for the honour and valour displayed
during the trials. The collar is white edged with scarlet, emblematic of the
candidate’s zeal and purity of purpose. It is decorated with two gold Teutonic
Crosses and the jewel suspended from it also is a Teutonic Cross.
The jewel is a black cross potent (meaning that there is a crossbar at the end
of each arm) that is charged with a gold cross potent and surcharged with a
white escutcheon bearing a black double-headed eagle. The Holy Roman Emperor,
Henry VI (1165-1197), first assigned the simple badge to the Teutonic
Knights. John King of Jerusalem added the gold cross and the Holy Roman
Emperor, Frederick II (1194-1250), added the escutcheon to complete the emblem.
The Teutonic Cross is an emblem in the
chivalric degrees of the Scottish Rite in the United States of
America, where the 27° is usually regarded as the first of those chivalric
degrees. In most other jurisdictions the red Cross Pattée or Templar
Cross with four arms, each an equilateral triangle, which was given to
the Knights Templar by Pope Eugenius III in about 1146, is the
cross usually adopted as the emblem of the chivalric degrees. The well-known Maltese
Cross is closely associated with the Templar Cross. It
also is a Cross Pattée, but the external side of each triangle is
deeply indented so as to form eight sharp points instead of the 60° points of
the Templar Cross. This cross is the emblem of the Knights
of Malta and is white when displayed on their black tunic. The eight
points are said to allude to the eight beatitudes named in Matthew
5:3-11. The reason why the Teutonic Cross has been adopted as a chivalric emblem
in some jurisdictions probably relates to the persecution of the Knights
Templar during the Inquisition in the fourteenth century.
It is well known that many of the Knights Templar escaped with
their ships to Scotland. It is believed that many also escaped to Germany and
Prussia, where they received the protection of their friends and confederates,
the Teutonic Knights. As the original chivalric degrees of the Scottish
Rite had their origins in the “Cross of Christian Encampment”
of France and the “Observance” of Germany, it is not
surprising to find that the Teutonic Cross was adopted as an
emblem.
The 28° called Knight of the Sun, or Prince
Adept, encourages us to seek Truth through Philosophy
and to subjugate our passions. The journey begins with ordeals in a gloomy
vault, followed by trials while passing through subsequent apartments that
progressively become lighter. In the fourth apartment, which is brilliantly lit
by the Sun of Philosophy, the candidate is required to express his
own views on moral philosophy before he receives a Dictum of Philosophy
that he must make his future guide. The apron and collar are white. The apron
has a plain white flap and the body is adorned with an open pentacle, which is
defined by red edges and has an All-seeing Eye in the centre. The
collar is also adorned with an All-seeing Eye on the wearer’s
right hand side. The jewel is an open golden pentacle suspended from a gold
coloured collarette. The pentacle is an emblem of mankind, whilst white and gold
represent the purity of life that we should seek continually.
The Moralistic Teachings of the Sovereign Council
The 29° or Grand Scottish Knight of St Andrew
of Scotland is the culmination of true Ecossais Masonry,
leading into the Chivalric or Templar Degrees. The
obligation emphasises the teachings of this form of freemasonry, which are
chastity, the rejection of unworthy associates, the worship of God, avoidance of
evil speech, care of the sick and needy, hospitality, obedience to all lawful
authority, the study of nature and finally the humble service of mankind. The
ceremony is based on the rendition of a traditional history that traces the
imaginary development of the Scottish Rite from the time Herod’s
temple in Jerusalem was destroyed by Pompey the Great, through the period of the
Crusades, until their refuge in Scotland after they had assisted Robert the
Bruce, King of Scots, at the Battle of Bannockburn. Prince Charles Edward Stuart
is said to have introduced the Scottish Rite into France from
Scotland. In the 29° a white sash with gold fringes is worn from the left
shoulder to the right hip. The collar is green edged with crimson, from which
the jewel is suspended. The jewel is a golden Cross of St Andrew
with a large emerald at the centre. The cross supports a knight’s helmet above
and a thistle below, both in gold. The banner of the degree is white with a gold
fringe at the lower edge and it is adorned with a green Cross of St Andrew,
surmounted by a thistle surrounded by five stars all in gold. The emerald
signifies manly virtue and strength by its colour and purity by the clarity of
the stone. The thistle and the cross are emblems of Scotland. The helmet is an
emblem of knighthood. The white of the regalia signifies purity of purpose, the
crimson symbolises spiritual zeal and the green alludes to the eternal life of
the spirit. The degree emphasises the qualities of knighthood, especially those
of the Knights Templar, usually described in three ascending
groups of three, which are: humility, patience and self-denial;
charity, clemency and generosity; and virtue,
truth and honour.
Consecration as Knight Kadosh
The 30° or Grand Elect Knight Kadosh,
which sometimes is referred to under the title of Knight of the Black and
White Eagle, is the culminating degree in the Council series. Although
closely related to the Knights Templar, the work of the degree not
the same. It is the first of the three Chivalric or Templar
Degrees in most jurisdictions, but see the 27° in relation to the
United States of America. The degree has had a chequered history. In its
original form it was directly concerned with retribution for the suppression of
the Knights Templar in the fourteenth century during the Inquisition
and also retribution for the afflictions that the Knights Templar
suffered through the cruelty, fanaticism, superstition and greed of their
oppressors. A central theme of the original degree was revenge for the burning
at the stake of the Grand Master, Jacques de Molay, which accounts for the modes
of recognition and some of the terminology now used. In the closing years of the
eighteenth century the ceremony was re-written in its present form as a purely
philosophical degree. The real journey now commences in the Chamber of
Reflection and continues in the Hall of Judges. If the
candidate shows sufficient determination to continue his journey he proceeds to
the Chamber of Dedication, then must return to the Hall of
Judges for final examination before admission into the Council
Chamber where he receives a lecture on the Mysterious Ladder.
The lecture first explains the moral basis on which the labours of the degree
are founded and then outlines how their teachings should be applied on a
material and intellectual basis. The central lesson taught is that a Knight
Kadosh must always be ready to sacrifice himself in promoting the Divine
Kingdom of Justice and Mercy on Earth. The title Kadosh is
a Hebrew word signifying separated to the service of God, in which
sense it also means consecrated.
The regalia of the degree comprise a black sash edged
with silver and having a silver fringe at the end, worn from the left shoulder
to the right hip, together with a jewel that is a double headed eagle with a
poniard in its talons. The sash is decorated with two crimson Templar
Crosses edged with gold and also the banners of the Knights
Templar supported on crossed staffs, testifying to the origins of the
degree. Above the upper Templar Cross a large double-headed eagle
with a poniard in its talons is mounted in silver bullion, which in turn has a
red lined jewelled crown with nine points above it. Also depicted on the sash
are the Mysterious Ladder, an intertwined three-headed snake and
the Letters KH. It is sometimes said that the letters K
and H represent two Hebrew words meaning “House of the
Temple”, but this does not appear to be incorrect having regard to the
fact that the Hebrew word for temple is He Yod Kaph Lamedh or Hekhal
and that Beth Yod Tau or Beth is the word for house.
Probably K and H are the first and last letters of
the English word Kadosh, because the Hebrew word for Kadosh
is spelt Qoph Daleth Shin. The symbolism of the colours of the
sash is twofold – mourning for the deceased Knights Templar and
also secrecy. The double-headed eagle is a symbol of sovereignty and
intelligence and also of balance or equilibrium. The crown signifies authority
and judgement.
The Work of the Consistory
The
degrees of the Consistory complete the triad of Chivalric
Degrees and also consummate the pilgrimage of the Scottish Rite.
A consistory is a place of assemblage and also the assemblage itself, including
a spiritual or ecclesiastical court, which originally was the privy council of
the Roman emperor. This is the capacity of a Consistory in the Scottish
Rite and is the reason why it is also referred to as the Consultative
Council. In practice the three Chivalric Degrees bring the
pilgrim to the completion of the Third or Spiritual Temple.
The labours of instruction are completed and the only work remaining is
constantly to put into practice the virtues that have been exhorted throughout
the pilgrimage. The 30° or Grand Elect Knight Kadosh could be
regarded as the operative component of the Chivalric Degrees,
which requires the Consecrated Knight to set himself aside and go
forth in battle to promote the divine kingdom of justice and mercy on earth. The
Consistory has two complementary degrees, the 31° or Grand
Inspector Inquisitor Commander representing judicial activities and the
32° or Sublime Prince of the Royal Secret representing military
activities, two facets of government that are diametrically opposed and must be
kept separate and distinct in all well-ordered societies.
In
the 31° or Grand Inspector Inquisitor Commander the work
constitutes a philosophical journey, during which the candidate receives a
series of lectures recounting the works, opinions and judgements given by six of
the greatest sages, lawgivers and philosophers of antiquity renowned for their
discernment and wisdom, whose example every man should use as a guide for his
own conduct. It is impressed upon the candidate that the office of Judge
is both arduous and responsible, that all human judgement is uncertain and that
the only infallible Judge is the True God. He is
also told that no man should seek to judge his fellowmen, but if judgement
cannot be avoided honourably it is a duty and a task that must be performed. The
characteristic colour is white, signifying harmony and justice. In the Council
Room ten lights are arranged in the triangular form of a Tetractys,
a symbol used by Pythagoras that he is believed to have learned when he visited
Babylon. It is an emblem of the Tetragrammaton and Pythagoras
explained the four rows of points thus. The one point at the apex of the
triangle is a symbol of the Active Principle or Creator;
the two points represent the Passive Principle or Matter;
the three points represent the world proceeding from their union; and the
four points at the base represent the liberal arts and sciences, thus completing
and perfecting that world. The central moral is that Justice is Equity
and must be dispensed with Gentleness and Compassion. On the white
collar are two red Maltese Crosses, the Scales of Justice
and two wavy Swords of Truth that cannot be sheathed.
It
was mentioned earlier that the 32° or Sublime Prince of the Royal Secret
originally was the 25° of the Rite of Perfection, a symbolic
pilgrimage woven around an encampment of Knights Templar.
The Knights Templar set up assemblages called Encampments,
often called Commanderies or Preceptories. The Tracing
Board in the Rite of Perfection was a plan of the Encampment
and it is still the central emblem on the collar of the 32°. The Encampment
is symbolical and arranged as five concentric geometric figures, all of which
have the usual significations. The perimeter is a nonagon, with a flag at each
of the nine angles and a tent and pennon at the midpoint of each side,
representing members of the degrees from the first to the eighteenth. Within the
nonagon is a heptagonal fence. It encloses a pentagon, with a standard at each
angle representing members of the degrees from the nineteenth to the thirtieth.
Within the pentagon is an equilateral triangle, within the angles of which the
members of the Consistory are camped, with any Knights of
Malta who have proved themselves true and faithful and have been
received. A circle inside the triangle has the tent of the Sovereign Grand
Inspector General at the centre. The circle originally enclosed a red Templar
Cross with five arms, but nowadays it is a Cross of St Andrew.
In the Rite of Perfection the Christian element of the degree was
that part of the Palestine Order of St John now appended to the
order of Rome and the Red Cross of Constantine as the Knights
of St John the Evangelist. It relates to the final hours of the Messiah
on the Cross of Calvary, explaining how the degree of Master
Mason reflects the agonies suffered by the Messiah and
that the Word is a substitute for those the Messiah
uttered on the cross. The collar is black edged with silver. Black is a symbol
of mourning for the Knights Templar who were mercilessly slain
during the Inquisition, but it also signifies sorrow for the
crucifixion of the Messiah and is a reminder of that darkness
beyond the veil from whence the True Word will become manifest.
The silver edging is a symbol of hope. Also on the collar are Maltese
Crosses and other emblems illustrating the pedigree and purpose of the
degree.
The
33° or Sovereign Grand Inspector General is the paramount
administrative degree of the Rite, but in the United States of America it is
also conferred as an honour in recognition of service. The sash is white, a
symbol of purity that also alludes to the soul or spirit. In this
degree white indicates the purity of purpose required of every leader and ruler.
The jewel incorporates three interlaced equilateral triangles forming a
nine-pointed star as a symbol of Divine Truth and the nine points
represent the Latin word SAPIENTIA meaning WISDOM.
The mottos set out in the Statutes and Constitutions of 1786 are Deus
Meumque Jus, or God is my Right together with Ordo
ab Chao, or Order out of Chaos.